king john   actors theatre of louisville

"...from the moment actor Rami Margron bounces onto the stage, they bring a surfeit of- well, call it steaz, rizz, BDE or what you will, Margron brings it, with all the cocksure attitude one could hope for. If you have a weakness for bad boy energy, prepare to swoon...
...Margron’s command of Shakespeare’s language is even more impressive than their swagger."
Allie Fireel, LEO Weekly

hurricane  diane   old globe theatre

Margron is a marvel at capturing this magnetic figure’s allure, which seduces the followers one by one.
James Hebert, San Diego Union-Tribune

In a stroke of fabulous casting, the Globe has hired Rami Margron, a sturdy, handsome actor with flashing eyes and tons of self-confident presence to play a role where sensuality counts, not specific gender. I have no idea of Margron's personal preferences, nor is that any of my business. As an artist, though, they/she/he is thoroughly convincing to me/me/me. The air should crackle when Dionysus is present, and that it does. This is what we mean by the label "romantic lead."
Welton Jones, San Diego Story

a midsummer night's dream   california shakespeare theater

Yet for surgical precision and sage clarity, there’s the redoubtable Rami Margron in the dual roles of fairy king Oberon and Athenian king Theseus. Margron conjures visions almost tangible from Shakespeare’s wilder verse. When Oberon says, “the eastern gate, all fiery-red, opening on Neptune with fair blessed beams, turns into yellow gold his salt green streams,” it’s as if the hues shoot forth, with so much energy does Margron honor each successive descriptor. The actor disentangles knotty syntax, as if Margron is always saying, “Look, here’s what’s important in this line,” but in a way that springs from character and situation, not from didacticism.
Lily Janiak, San Francisco Chronicle

pericles  berkeley repertory theater

...the hilarious and versatile Rami Margron
Jay Barmann, The SFist

moll flanders  pacific rep

Rami Margron is an exuberant and gorgeous Moll. Witty and resourceful, her eyes are always open for the next alluring opportunity looming on the horizon. With a big grin at her triumphs and a shrug at her failures, she plays the lady’s sexual exploits with a blithe humanity that deflects moral indignation.
Philip Pearce, Performing Arts Monterey Bay

...the smart and voluptuous Moll, here expertly delivered by Rami Margron.
 Barbara Rose Shuler, Monterey Herald

precious little  shotgun players

...truly remarkable.
Sam Hurwitt, The Ideolect

Lesser actors might balk at the demands of this script, but Carlin and Margron are both endlessly transmutable... Margron shifts the register of her voice on a dime, acquiring a high, girly falsetto for Dorothy's younger assistant, Rhiannon, and a sultry baritone for the androgynous butch grad student, Dre. 
Rachel Swan, East Bay Express

Nancy Carlin and Rami Margron play everyone else, delivering a gallery of sharply defined individuals... In Margron's case, that includes a few tour-de-force portraits of entire crowds of children, parents, lovers and others at the zoo, a wondrous assortment of voices emerging from a magnetic deadpan.
Robert Hurwitt, SF Chronicle

Rami Margron brilliantly plays a colonnade of sharply well-defined individuals including Brodie’s younger girl friend, a child visiting the zoo and the cautious receptionist at the medical center.
Richard Connema, Talkin' Broadway

jacob marley's christmas carol  marin theatre company

...brilliantly performed by Rami Margron
George Heymont, My Cultural Landscape

Rami Margron is a dynamo, playing various characters including Jacob's sidekick Bogle.
Richard Connema, Talking Broadway

His resourceful sidekick The Bogle is played like a gutsy Tinkerbelle by Rami Margron, perhaps the most entertaining and engaging performer in the show. 
Suzanne and Greg Angeo, the sonoma county gazette

antigonick  shotgun players

​Rami Margron makes a riveting Antigone. Impassive and soldierly when she speaks but in her dancing jerky, writhing and staggering...Margron is also compelling as the scolding blind prophet, Tiresias.
Sam Hurwitt, KQED

...the astonishingly stoic-expressive Rami Margron...Margron redoubles the tragic impact of the tale with her reappearance as the gravely sardonic blind prophet Teiresias. She and the entire cast deliver the text in variations of rapid, robotic outbursts and slow, studied passages with startling pauses that mirror the movement forms.
Robert Hurwitt, SF Chronicle

of the earth  shotgun players

All the gods and goddesses are played by women. When I saw that Zeus, that embodiment of priapic male energy, would be played by a woman, I felt an immediate internal prejudice arise. Within moments, Rami Margron as Zeus dispelled those reservations, as did Anna Ishida as Poseidon. They are compellingly masculine in uniforms fashioned somewhere between Star Trek and Japanese Sci Fi warriors. 
John A McMullen, Berkeley Daily Planet

dogsbody  intersection for the arts/ la mama

Margron's face distills Scovia's pain, fury and intense repression in stark contrast to her bright hope as a schoolgirl.
Robert Hurwit, SF Chronicle

the clean house  pacific rep

Margron is the heart of this play with her delightful Matilde — an earthy, whimsical portrayal filled to bursting with rich cultural flavors of Latin humor and gusto.
Barbara Rose Shuler, Monterey Herald

twelfth night  california shakespeare theater (community tour)

...an agile Rami Margron...
Georgia Rowe, SF Examiner

Oddest of all, Rami Margron makes an unusually alluring Orsino. The lovestruck Count normally comes off as a pompous blowhard.
Adam Brinklow, Edge

Rami Margron is an amusingly cocky, swaggering Orsino whose love for Olivia seems to be one of many whims he gets and has his people sort out the details... Masterminding the shaming of the steward is a wry and mischievous Margron as Maria, Olivia's chambermaid. 
Sam Hurwitt, KQED
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Amid the impetuous love stories, the drunken clowning and the tragedy of cross-gartering come ample opportunities for these actors to shine. Rami Margron, for instance, is completely believable as the Duke Orsino, who is hot and bothered over the reclusive and grieving Olivia. When the action shifts over to Olivia's manse, there's Margron again as Maria, a lusty lady in waiting, and she's equally believable in a dress.
Chad jones, SF Cronicle